Brain Skitters

My brain skitters around like drops of water on a hot griddle when I’m experimenting in the studio.

Try this… Okay, that worked. Nope. Modify… Hmmm. What if I try that? … Oooops… Now what? …Oh, maybe that… Chug-a-chug-a-chug-a cool down and clean up… Write some of this stuff down before I forget it…

No wonder I’m exhausted at the end of a productive art day.

Sometimes I frighten myself with the way my brain disengages from my active thoughts. Split brain, if you will. I don’t know if this happens to everyone. Probably. It happened this morning, as I was journaling. Writing is much slower than thinking and I was writing about a workshop I’m preparing, when my brain flashed to the the open sketchbook on my desk with a drawing that might help to instruct the workshop.

I’m preparing some printmaking workshops, but next up is molding paper sculptures for my next exhibit. So part of my brainpower kept the words I wanted to write lined up ready to jump into my hand, pen and then paper. But held enough in reserve to plot the logical steps from the sketch to modeling clay to making a mold to casting the paper sculpture.

I have actually really frightened myself by stepping back from a piece of artwork and thinking, “Wow, I don’t even remember doing that.” I actually videotaped myself drawing, “Universal Witness”. Still, somehow as strange as it sounds, it felt like channeling… See, scary stuff…Sometimes when I draw I succumb to the process and have a semi conscious thought to relinquish control to my right brain intuition, or the Universe, or whatever the power of the piece comes from.

Like many artists when I pull out of that altered state I am absolutely drained. So much of my being and absolute energy went into the piece that I have little left for myself.
So while Diana Hume takes the credit, I’m not completely sure that I haven’t been the tool, not unlike the pencil or paintbrush in my hand. The more I succumb to an unconscious direction the better it often is. Though it’s not a switch I can turn off and on. It requires investing some time in the technical skills, and also sitting back and discussing between right and left brain what the impact of the piece is and where it might be made stronger and more appealing to the left brainers.

Universal Witness copyright 2010 Diana Hume
"Universal Witness"; Diana Hume, 2010, 22" x 28", Graphite on Paper

Whatever it is, it’s an awesome journey!!


Published by artmyth

An Artist living in Creelman, Saskatchewan. Mythology of all cultures fascinates me.

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